Shure BETA 91A Kick Drum Microphone – Half-Cardioid Condenser Mic with Integrated Preamplifier and XLR Connector, Low Profile Design – Maximize Setup Efficiency While Minimizing Stage Clutter

Description

BETA 91A Kick DrumView bigger Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Contains Built-in Preamplifier and Male XLR Output) Precision-engineered. Built-in preamp. Two-position contour swap for kick drum & different low-frequency functions. Product Particulars The Shure BETA 91A is designed to be used with kick drums, in addition to different conventional low-frequency functions together with piano. That includes an up to date microphone capsule, built-in preamplifier, and XLR connection, Beta 91A presents a robust low-frequency response and is particularly tailor-made for bass frequency functions. The Beta 91A combines superior assault and punch for studio-quality sound, even at extraordinarily excessive sound strain ranges (SPL). Options: Uniform half-cardioid polar sample for max gain-before-feedback and rejection of off-axis soundPrecision-engineered low-profile design options built-in preamplifier and XLR connector to maximise setup effectivity whereas minimizing stage clutterFrequency response tailor-made for kick drum/low frequency functions with a large dynamic vary to be used in excessive SPL environmentsTwo-position contour swap to maximise assault and readability relying on software: choose the flat response setting for pure sound in most functions or the low-mid scoop setting for a robust low frequency punch with loads of larger frequency attackRequires no exterior mounting or equipment for ease of use and storageFurnished with zipper pouch
Uniform half-cardioid polar sample for max gain-before-feedback and rejection of off-axis sound
Precision-engineered low-profile design options built-in preamplifier and XLR connector to maximise setup effectivity whereas minimizing stage muddle
Frequency response tailor-made for kick drum/low frequency functions with a large dynamic vary to be used in excessive SPL environments
Two-position contour swap to maximise assault and readability relying on software: choose the flat response setting for pure sound in most functions or the “low-mid scoop” setting for a robust low frequency “punch” with loads of larger frequency assault
Requires no exterior mounting or equipment for ease of use and storage
Furnished with zipper pouch
Kick drum microphone supplies a robust low-end response and most gain-before-feedback resulting from its half-cardioid polar sample. It encompasses a two-position contour swap to maximise assault and readability and a low-profile design.
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