Line 6 M5 StompBox Modeler

Description

Supercharge your pedal board with a single stompbox! M5 Stompbox Modeler delivers 100+ gain-defying distortions, lush choruses, scintillating reverbs and different expressive results in a single-pedal-size stompbox.
Similar to the traditional pedals that impressed it, M5 Stompbox Modeler runs one impact at a time. However M5 can be totally different – it is designed like a Swiss military knife to carve out sonic creativity one good impact at a time. Dare to encourage and be impressed with its full assortment of contemporary and classic results.
Why purchase one other pedal each time you need a bit additional spice? M5 is your buddy who’s bought the storage stuffed with half a century’s value of contemporary and classic results. However this time he’ll mortgage out something from the arsenal and by no means ask for it again. From the traditional and timeless to the daring and esoteric, M5 has bought you lined. This immediate stockpile is strong, simply switchable and well-known – it is the identical impact line-up as M9 and M13 Stompbox Modelers.
There are not any menus, saving or hassles. M5 Stompbox Modeler is stompbox easy. Tweak your tones on the fly utilizing the devoted knobs. Once you energy down your settings stay, identical to a traditional stompbox.
M5 prices lower than a great, single impact pedal and delivers many occasions the firepower. It is stocked with inputs and outputs to combine seamlessly into your pedal board, MIDI setup and reside, studio and rehearsal eventualities.
Powerful as nails, simple to make use of and able to go, toss M5 Stompbox Modeler into your gig bag to make the most of the one pedal stompbox resolution. Save the world one impact at a time.

A Full Assortment of Results

M5 Stompbox Modeler offers you an immediate assortment of 100+ classic and fashionable stompbox tones and results. Carve out sonic brilliance with tangy choruses, syrupy candy reverbs, distinctive distortions and extra. It has the identical impact line-up as M9 and M13 Stompbox Modelers.
M5 Stompbox Modeler has a easy one-effect-at-a-time design, with all of the connections you’ll have to sync up with the remainder of your pedals. Use the common faucet tempo operate to manage all of your time-based results.

Feast your eyes:

19 DELAYS

• Digital Delay A fantastic workhorse impact, this straight-up digital delay has a clear and pristine echo-echo-echo-echo…
• Analog Echo Analog Echo is impressed by* the nice and cozy and distorted delays of a Boss® DM2 Analog Echo.
• Analog w/ Mod Impressed by* the cherished tone of an Electro-Harmonix® Deluxe Reminiscence Man, Analog w/ Mod delivers an organic-sounding analog delay with a beneficiant dollop of lush, spatial refrain.
• Tape Echo Tape Echo is impressed by* the unmistakable depth and sweetness of the Maestro® EP-3 Echoplex, which used transistor sound electronics as an alternative of tubes.
• Tape Echo Dry Via Your dry sign with Tape Echo repeats.
• Multi-Head Multi-Head delay is impressed by* the sound created by the a number of playback heads of the Roland® RE-101 House Echo.
• Sweep Echo Add a sweeping warble to the Tube Echo repeats and you have Sweep Echo. This distinctive tone provides a tangy taste to your delays.
• Sweep Echo Dry Via Your dry sign with Sweep Echo repeats.
• Reverse !seltaeB eht dna xirdneH imiJ ekil tsuJ No matter you play comes out backwards.
• Tube Echo Like peanut butter and chocolate, tubes and tape are an awesome mixture. Tube Echo is impressed by* a Maestro® EP-1.
• Tube Echo Dry Via Your dry sign with Tube Echo repeats.
• Lo Res Delay Impressed by the distinctive grunge and noise of early digital delay items. Lots of which had solely 8-bit decision.
• Digital Delay w/ Mod Digital Delay w/ Mod provides a juicy refrain impact to your digital delay.
• Stereo Delay The key to the “Huge L.A. Solo” sound of the ’80s! Set one facet as a quick echo with many repeats, and the opposite facet as a sluggish delay with few repeats. Voilà, you are well-known!
• Ping Pong Two separate channels of delay. The output of every channel bounces into the opposite to create the ping pong impact.
• Dynamic Delay Dynamic Delay incorporates a ducking management to maintain the delays from overwhelming what you are taking part in. Impressed by* a T.C. Digital® 2290 Dynamic Digital Delay.
• Auto-Quantity Delay Two results in a single! A quantity fade-in swell and an echo full with tape-style wow-and-flutter modulation.
• Echo Platter Impressed by* a Binson EchoRec, which impressed bands like Pink Floyd. Reasonably than utilizing tape, the EchoRec used a magnetic platter to file and play again.
• Echo Platter Dry Via Your dry sign with Echo Platter repeats.
  23 MODS
  
  • Opto Tremolo Opto Trem is impressed by* the optical tremolo circuit that was used within the blackface Fender® amps just like the ’64 Deluxe Reverb®.
  • Bias Tremolo Bias Trem is impressed by* the 1960 Vox® AC-15 Tremolo, which bought its pulse by actually various the bias of the ability amp tubes.
  • Phaser Phaser is impressed by* the sound of an MXR® Part 90 nevertheless it’s bought just a few additional parameters to carry you there and again once more.
  • Twin Phaser Twin Phaser delivers an enormous jet sound impressed by* a Mu-Tron® Bi-Part.
  • Panned Phaser A hypnotizing phaser that slithers back and forth. Impressed by* the sound of an Ibanez® Flying Pan, which is a four-stage part shifter with a panner inbuilt.
  • U-Vibe Impressed by* the pulsing push of the now-legendary Uni-Vibe®. One hearken to “Machine Gun” and you will be hooked!
  • Analog Flange Impressed by* the traditional MXR® Flanger, which was made traditional on Van Halen’s Truthful Warning and Girls and Kids First.
  • Jet Flanger In comparison with Analog Flange, Jet Flanger is extra dramatic with a unique wave form. Impressed by* the signature jet-like sweep of an A/DA Flanger.
  • Analog Refrain Impressed by* the massive and heat tones of a Boss® CE-1 Refrain Ensemble, the unique stompbox refrain.
  • Tri Refrain Tri Refrain is impressed by* the larger-than-life sound of a Music Fowl/DyTronics Tri-Stereo Refrain.
  • Pitch Vibrato Impressed by* the Boss® VB-2, which contained a circuit that produced a bubbly vibrato. This pedal (and this mannequin) characteristic a “rise time” management that when engaged speeds as much as the place you final set it.
  • Panner This impact pans forwards and backwards between your left and proper channels. When you run it in mono, it is principally tremolo.
  • Rotary Drum Impressed by* the Fender® Vibratone. This rotating speaker impact was in style with SRV. Suppose “Chilly Shot.”
  • Rotary Drum/Horn Impressed by* a Leslie® 145 tube-driven cupboard with a rotating speaker. Guitarists have all the time liked its signature shimmer.
  • Dimension Impressed by* the Roland® Dimension D, one of many first true-stereo refrain items. It is comparatively delicate in nature and have become an {industry} commonplace for double-track results.
  • Ring Modulator Excellent for these late-night jams when solely the weirdest, wildest sounds will do.
  • Barber Pole Phaser A traditional impact from the world of modular synths. Relying on the way you set it, this phaser both sounds prefer it’s all the time going up or all the time down. Set to stereo you get each!
  • Frequency Shifter Shift frequencies up or down and set the combination to 100% for an otherworldly tone. Or dial it again so as to add attention-grabbing colours to leads.
  • Script Part Simply add the “brown” sound and also you’re emulating certainly one of rock’s most celebrated guitar tones! Impressed by* an MXR® Part 90. Pace management solely, identical to the unique.
  • AC Flanger The number of vibey results out there from AC Flanger are impressed by* the traditional tones of the MXR® Flanger
  • 80A Flanger The gritty and spacey sweeps of 80A Flanger are impressed by* the distinctive sound of the A/DA Flanger.
  • Sample Tremolo Have interaction as much as 4 tremolo patterns to play in sequence. It is a really authentic textural impact impressed by* a Lightfoot Labs Goatkeeper.
    17 DISTORTIONS
    
    • Tube Drive A candy, singing maintain craved by guitarists worldwide. Impressed by* the tone of a Chandler Tube Driver®.
    • Screamer Impressed by the sleek medium-gain tones of the collectable authentic, Screamer is predicated on* an Ibanez® Tube Screamer®.
    • Overdrive Impressed by* a DOD® Overdrive/Preamp 250, which was designed to slam the enter of a tube amp forcing it to distort violently.
    • Basic Distortion Offended and aggressive, Basic Distortion is impressed by* a ProCo Rat.
    • Heavy Distortion The industry-standard heavy steel distortion of the late ’80s. Impressed by* a Boss® Steel Zone.
    • Colordrive Colordrive will transport you again to the breeding floor of British guitar heroes. Impressed by* a Colorsound® Overdriver.
    • Buzz Noticed Take a deep breath and repeat: “I am unable to get no (duh, duh, duh) Satisfaction.” Impressed by* a Maestro® Fuzz Tone.
    • Facial Fuzz Backside-heavy distortion impressed by* the Arbiter Fuzz Face, which is related to the tones of Jimi Hendrix and Eric Johnson.
    • Jumbo Fuzz Jumbo Fuzz delivers a vibrant chew paying homage to the fuzz tones heard all around the first two Led Zeppelin information. Impressed by* a Vox® Tone Bender.
    • Fuzz Pi Fuzz Pi delivers loads of thick distortion and oceans of maintain impressed by* the tone of an Electro-Harmonix® Huge Muff Pi®.
    • Jet Fuzz Half fuzz/half phaser, Jet Fuzz delivers one of the best of each. Impressed by* the Roland® Jet Phaser.
    • Line 6 Drive If we might return to the 60s and be part of the fuzz revolution, that is what we would design. Impressed by* the Colorsound® Tone Bender.
    • Line 6 Distortion Fully saturated and excessive, Line 6 Distortion is very large and completely loopy.
    • Sub Octave Fuzz Biting fuzz with an octave beneath! Wonderful for bass guitar. Impressed by* the PAiA Roctave Divider.
    • Octave Fuzz White-hot fuzz with an octave above! This traditional fuzz+octave impact was utilized by Jimi and different pioneering gamers. Impressed by* the Tycobrahe® Octavia.
    • Increase Comp A punchy increase of achieve impressed by* an MXR® Micro Amp. The compressor can add hold time to your maintain and fill out your leads.
    • Quantity Pedal Expressive pedal steel-style swells that are perfect for use with a Line 6 EX-1™ Expression Pedal.
    • Bass Octaver This impact offers you a single clear be aware one octave down. Bassists find it irresistible however guitarists (together with Jeff Beck) are recognized to bust it out, too. Impressed by* the tone of an EBS OctaBass.
      12 COMPRESSORS AND EQS
      
      • Pink Comp Pink Comp evens out your quantity and provides loads of maintain. Best for sluggish leads. Impressed by* the MXR® Dyna Comp stompbox compressor.
      • Blue Comp Impressed by* the Boss® CS-1 Compression Sustainer (with the treble change off), Blue Comp delivers heat, percussive qualities which are nice for cleaner tones.
      • Blue Comp Treb Impressed by* the Boss® CS-1 Compression Sustainer (with the treble change on). Kick on this mannequin if you need your results in actually pop!
      • Vetta Comp Adopted from our Vetta™ II guitar amplifier, Vetta Comp delivers a hard and fast compression ratio of two.35:1 with an adjustable threshold and as much as 12dB of obtainable achieve on the Stage knob.
      • Vetta Juice A colourful increase taken from our Vetta™ II guitar amplifier, Vetta Juice pours out as much as 30dB of obtainable achieve on the Stage knob.
      • Tube Comp Tube-style compression with added low-end heat impressed by* the attribute coloration of the Teletronix® LA-2A® compressor, a studio commonplace.
      • Noise Gate Eradicate the hiss from noisy pickups, or the white noise of extraordinarily high-gain distortions.
      • Graphic EQ A five-band graphic EQ impressed by* graphic EQ pedals just like the MXR® ten-band graphic equalizer, which was an integral a part of Randy Rhoads’s reside rig.
      • Studio EQ That includes a relentless Q and comfortable clipping output with degree management, Studio EQ is impressed by* an API® 550B.
      • Parametric EQ This EQ is full with a excessive shelf, a low shelf and a totally parametric band.
      • 4 Band Shift EQ A typical four-band graphic EQ with a twist: the shifter can transfer the decrease bands decrease and the upper bands greater.
      • Mid Focus EQ A high-pass and a low-pass every with frequency and achieve management used collectively to create a band-pass.
        26 FILTERS
        
        • Tron Up Half Auto Wah and half triggered filter, Tron Up delivers a severely funky vibe. Impressed by* the Mu-Tron® III envelope follower.
        • Tron Down Half Auto Wah and half triggered filter, Tron Down delivers a severely funky vibe. Impressed by* the Mu-Tron® III envelope follower.
        • Seeker As much as 9 “parked” wah filters set at various positions after which utilized in sequence to create a pulsating, hypnotic vibe. Impressed by* the Z-Vex Search Wah.
        • Obi Wah Obi Wah creates sequential adjustments in tone by emphasizing random frequencies. Impressed by* the Oberheim® Voltage Managed sample-and-hold filter.
        • Voice Field Let your guitar Come Alive with the sound of a traditional discuss field. Impressed by vocoders, vocal tracts and surgical tubing.
        • V Tron Your guitar “speaks” with an nearly human voice in response to your taking part in. Impressed by* Voice Field and a Mu-Tron® III.
        • Throbber Excellent for a large number of cool electronica-style sounds and textures, Throbber is impressed by* the Electrix® Filter Manufacturing unit.
        • Spin Cycle That is what headphone mixes had been made for! Think about two wahs panned left and proper working in reverse instructions from one another. Impressed by* Craig Anderton’s Wah/Anti-Wah.
        • Comet Trails Spooky and otherworldly, Comet Trails supplies a fascinating pulse so that you can add to your tone.
        • Sluggish Filter This triggered filter rolls off your high-end with adjustable speeds.
        • Octisynth To not be missed, Octisynth supplies textures which are equally at house in a mad scientist’s laboratory or miles beneath sea degree amongst its eight-armed namesake.
        • Synth-O-Matic Synth-O-Matic options waveforms from a mouth-watering assortment of classic analog synths.
        • Assault Synth Impressed by* a waveform and wave-shaping capabilities of a Korg® X911 Guitar Synth
        • Synth String A monophonic synth sound impressed by* the Roland® GR700 Guitar Synth.
        • Growler Named Growler for a purpose, this mannequin produces a sinister “Grrrrrrrrr” that is impressed by* a Roland® GR700 Guitar Synth and a Mu-Tron® III.
        • Q Filter Your very personal parked wah! Let your solos soar with the colourful “honk” that grew to become a signature tone of Mark Knopfler and Brian Could.
        • Vetta Wah Our interpretation of the traditional wah sound. Join a Line 6 EX-1™ Expression Pedal to make the most of this impact. Adopted from our Vetta™ II guitar amplifier.
        • Fassel Fassel is impressed by* a CryBaby® Tremendous, which is coveted for the mojo of its Fasel inductor.
        • Weeper Impressed by* the Arbiter Cry Child®, this mannequin is a variation with a unique inductor and different element decisions.
        • Chrome Impressed by* the traditional ’60s sound of a Vox® V847, Chrome comes full with the legendary growl of the unique.
        • Chrome Customized Impressed by* the sound of a modded Vox® V847 with tweaked achieve staging on the primary transistor stage, an aftermarket inductor, the Q widened and changed with a 470k pot.
        • Throaty Impressed by* the extremely musical sweep of a hand-built Actual McCoy RMC1, Throaty produces wealthy mids and a robust low-end.
        • Conductor Impressed by* the distinctive sound of a classic Maestro® Boomerang. (Suppose “Shaft.”)
        • Colourful Impressed by* the wah part of a Colorsound® Wah/Fuzz.
        • Good Concord Flip that 6-string right into a 12-string, rip some ’80s twin leads and a lot extra. This clever pitch shifter is impressed by* an Eventide® H3000.
        • Pitch Glide 4-octave vary! Drop some dive bombs and throw some ice picks, a la Tom Morello. Join an EX-1™ Expression Pedal for the total impact. Impressed by* a Digitech Whammy®.
          12 REVERBS
          
          • ’63 Spring Excellent for surf guitar tones and spaghetti western soundtracks! Impressed by* a 1963 brown spring-reverb head.
          • Lux Spring Reverb Lux Spring Reverb is impressed by studio-standard spring reverbs whose attribute resonant sounds had been created by springs suspended inside a steel field.
          • Classic Plate Reverb Classic Plate Reverb is impressed by studio plate reverbs with metallic-sounding resonant qualities.
          • Room Simulates the reflections and different acoustic properties of a traditional echo chamber.
          • Chamber A dreamy reverb impressed by an elongated ambient area (like a hallway, stairwell or elevator shaft).
          • Corridor A robust reverb tail to simulate the sound of a giant open area (like a gymnasium, efficiency corridor or cathedral).
          • Ducking This corridor reverb provides a “ducking” impact: the quantity of the reverb goes down when you play, and again up if you cease.
          • Octo Creates a lush, ambient area with a harmonized decay that is paying homage to a pipe organ. Use quantity swells and put together to drift on cloud 9!
          • Cave A surreal and cavernous echo chamber you will want a helmet mild to flee from.
          • Tile Emulates the acoustic properties of a tiled room (like a toilet or bathe) with clear and vibrant early reflections.
          • Echo Similar to it says: echo… echo…echo. It is a lush echo with reverb.
          • Particle Verb A Line 6 authentic that turns your chords right into a modulated pad. Three modes – Secure, Essential and Hazard – take you from lush and pure to manic and a bit insane.
            *All product names used on this webpage are emblems of their respective homeowners, that are under no circumstances related or affiliated with Line 6. These emblems of different producers are used solely to determine the merchandise of these producers whose tones and sounds had been studied throughout Line 6’s sound mannequin growth.

Much less is extra – compact dimension is not any greater than one giant single impact pedal.
Extra is extra – over 100 of the most well-liked pro-quality results seen on pedal boards around the globe, delivered one after the other.
Stompbox easy – you didn’t must be taught a brand new language in your outdated favorites, why begin now?
Completely professional – totally stereo, MIDI succesful, expression pedal choice, faucet tempo and way more.
Rugged – battle-ready building you’d count on for one thing you’ll be kicking on a regular basis.